simultaneous perception

si·mul·ta·ne·ous per·cep·tion

a combination of two slightly dissimilar images into a single image.
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The Peli field expansion system is a simultaneous perception device mounted on the spectacles above and below the line of sight with the base directed towards the patient's visual field impairment.
It manages sensitivity by combining the simultaneous perception of the proximity of a person--or of any other component--as well as contacts and their intensity.
Among specific topics are the simultaneous perception of parallel streams of visual data, the duality of natural and technological explanations, drawing simple shapes and forms in various programming languages, re-visualizing Giotto's 14th-century Assisi fresco "Exorcism of the Demons at Arezzo," digitally mediated art inspired by scientific research, and bringing the arts as data to visualize how knowledge works.
He proceeds from a discussion of Cornulier's distinction between "ambivalence rythmique" (simultaneous perception of a line) and "ambiguite rhythmique" (mutually exclusive sequential perceptions; p.
What Arcangeli puts into the field--which more or less corresponds to the statement "a painting is a painting"--is as tautological as any of its predecessors in Conceptual art, but his use of different linguistic systems effects a shift in the simultaneous perception of the word and the thing.
But this seriality of images contrasts with Reb's Allmuserian, simultaneous perception, as the Soulcatcher explains: "'Befo', afterwards, and in between didn't mean nothin' to him' "(174).
Transparency means a simultaneous perception of different spatial locations.
On the way to join my family in the Florida Keys, I read Tony Hiss' book The Experience of Place, and found a good description of that passive quality, which Hiss calls "simultaneous perception." He's referring to the way we gather information about a place, the total impression of space, sound, and movement; of touch, smell, and light, whether we're walking through Grand Central Station or entering the woods from a clearing.
He calls this ability "simultaneous perception." Hiss believes that understanding how we perceive places will equip city and country dwellers, planners, preservationists, and environmentalists to fix ailing spaces and create successful new ones.
In a so far unpublished paper, she also discusses the issue of "the unity of apperception" through an analysis of Plato's discussion of the instrumentality of sense organs in the perception (by the soul) of simultaneous perceptions. She also gives insight into her own philosophy of sense-perception, which we find in her work on the intentionality and the subjectivity of sensation (G.
f) recording the associations of newly encountered names or objects or events or sounds or sights with simultaneous perceptions through the unused other senses,

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