References in periodicals archive ?
"I wanted to take the conventions of the genre and stand them on their head," Fitzgerald says, adding that the film's refusal to provide a definitive explanation of the point-of-view shift (or indeed of its key event) resulted in a dispute with the distributor who demanded recuts to the film to make things clearer.
The idealistic Milagrosa has her realistic counterpart, an elderly seamstress who sews her mistress's white garments and later recuts the cloth for other purposes.