homonomy, or rule by an other who is like" (125); and that the "lens of contemporary heterosexuality and the notions of 'family drama' from which it stems have occluded our view of Shakespeare's least gender exclusive rejoinder [in The Winter's Tale] to what he seems to have seen as a deterministic biologism" (219).
The four ideals are homonomy, a sense of belonging; nurturance of other than the self such as other people and the natural environment, humanity or humaneness, putting people above their institutions; and beauty, an intrinsic sense of aesthetics (Emery, 1977a).