esthetics


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esthetics

 [es-thet´iks]
the branch of philosophy dealing with beauty; in dentistry, a philosophy concerned especially with the appearance of a dental restoration, as achieved through its color or form.

es·thet·ics

(es-thet'iks),
The branch of philosophy concerned with art and beauty, especially with the components thereof.

esthetics

/es·the·tics/ (es-thet´iks) in dentistry, a philosophy concerned especially with the appearance of a dental restoration, as achieved through its color or form.

esthetics

[esthet′iks]
Etymology: Gk, aisthetikos, sensitivity
the branch of philosophy dealing with the forms and psychological effects of beauty. In medicine, esthetics may be applied to dental reconstruction and plastic surgery. Also spelled aesthetics.

aesthetics

The study and/or implementation of the activities which are pleasing to the senses, and have sensori-emotional value.

es·thet·ics

(es-thet'iks)
The branch of philosophy concerned with art and beauty, especially with the components thereof.
Synonym(s): aesthetics.

es·thet·ics

(es-thet'iks)
The branch of philosophy concerned with art and beauty, especially with the components thereof.
Synonym(s): aesthetics.
References in periodicals archive ?
Wiseman thus creates a dialogue between Levi-Strauss, artists, poets, and esthetic thinkers and in this way makes apparent the link between anthropology and esthetics.
The patient was treated in 10 months with an esthetic and removable treatment modality.
Anterior dental esthetics can be subdivided descriptively into facial, dental and gingival components.
I would recommend Homemade Esthetics not only to those with a genuine commitment to art but also to anyone for whom a genuine commitment to the political in art starts with distrust of art-world politics.
Instead of celebrating Croce's "grandeur of the individual spirit" by releasing the art form vertically into a platonic or Kantian sphere of esthetic transcendence, Plath takes the survivor's experience of suffering and oppression - its shame, its destruction, its courage - and inserts it laterally into historical and esthetic experience.
Neo-avant-garde positions such as arte povera find themselves continuously confronted with the question of whether and how, given the totalizing demands of spectacle culture, spaces and practices of resistance can remain open at all and still allow for the cultural articulation of concepts of subjectivity that would retain the affective, cognitive, and mnemonic differentiation of experience implicit in the definition of the esthetic.
Its impossibility was assured by virtually every esthetic precept it flaunted, at the same time that the mere fact of its existence as art demonstrated that all those precepts lacked necessity.
Unsensuous, unlovely, and gnawed right down to the bone, this piece exudes a sense of willful inquiry, of a recombination of elements toward something with no patience for esthetic beauty.
Finally, the viewer is left wondering whether esthetics can lay claim to truth and knowledge.
Completed well before Seattle grunge took the punk-metal esthetic into the mainstream, Rock and the Pop Narcotic was an attempt to write '80s underground rock into history.