That the ideas of internal evolution and stylistic autonomy were shared by both modernist art and the art history of earlier periods such as the Renaissance is an important thesis, but Belting only alludes to what explanatory forces connect the two: Did modernist artists influence historians of Renaissance art, or was their coordination a product of something like a shared conceptual scheme?
Belting says that art history now has the fragmented character of the production of art itself, with a plurality of methods and theories and no clear way to adjudicate among them.
In any case, Belting charges that art historians have not yet fully recognized the posthistorical state of art, and thus when faced with non-Western art that doesn't fit in the traditional narrative, they seek to expand the canon (through such devices as "global art") rather than historicize the very idea of the canon as something inextricable from a local and limited tradition, now closed.
Lathe-Cut Rubber Goods), Rubber Hose and Belting and Other
Table 24: Canadian Rubber and Plastic Belting and Hose
Table 25: Canadian Rubber and Plastic Belting and Hose
White, food-grade belting is standard with molded cleats supplied on elevating units.
shafts and bearings, adjustable angle stands that tilt 45 [degrees] either way, 1/6-hp motor, and two-ply white belting good to 250 F.