Alternative surname of Wedensky, Nikolai I.
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Vvedenskii, who was at this time still first chairman of the Tobol'sk district court, proposed that in the interests of justice Tiukalinsk uezd be assigned to the Omsk district court.
"Semanticheskie sredstva ukazaniia na asemanticheskoe v poetike Vvedenskogo i problema 'adekvatnogo' analiza." In Aleksandr Vvedenskii i russkii avangard: Materialy mezhdunarodnoi nauchnoi konferentsii, posviashchennoi 100-letiiu so dnia rozhdeniia A.
These included the cinematographer Vladimir Sieversen and actors of the semi-professional theater, Vvedenskii People's House, one of whom, Petr Chardynin (1873-1934), became the company's leading director.
VVEDENSKII (alternate surname of Wedensky, Nikolai E.--Stedman's MD)
The greater number of studies on the OBERIU group ('The Association for Real Art', which, anachronistically in the then Soviet context, tried to flourish in Leningrad in the second half of the 1920s), particularly those in English, have concentrated on the works of Daniil Kharms and, to a considerably lesser extent, of Aleksandr Vvedenskii. There are a number of reasons for this: the availability of texts (in both Russian and English), the tendency for attention to breed attention, and, not least, the qualities inherent in the works of these two writers.
Petersburg) under the name of "Union of the Progressive Petrograd Clergy." Further to the left, also in Petrograd, "The All-Russian Union of Democratic Orthodox Clergy" appeared, chaired by Alexander Vvedenskii, a talented priest, musician, and the future leader of the Renovationists.
In Russia, the 22-year-old Enchmen, influenced by Vvedenskii's thesis that conscious phenomena cannot be known with such certainty as material phenomena, suggested to Pavlov that his objective, experimental, investigation on conditioned reflexes substantiated Vvedenskii's positivist theses.
Vvedenskii (Moscow: Bol'shaia sovetskaia entsiklopediia, 1952), 17:611-12.
(138) Vladimir Genis, Vitse-konsul Vvedenskii: sluzhba v Persii i Bukharskom khanstve, 1906-1920 (Moscow: Sotsial "no-politicheskaia mysl', 2003), 22-34; cipher telegram from the Ninth Army, 3 Agustos 1330 [16 August 1914], Askeri Tarih ve Stratejik Etudleri Baskanligi, Birinci Dunya Harbi Koleksiyonu, Klasor 2818, Dosya 59 Fihrist 2.
In 1927 he and a number of like-minded experimental writers, including his talented friend and close associate Aleksandr Vvedenskii and the major poet Nikolai Zabolotskii, formed the literary and artistic grouping OBERIU (the near-acronym of the 'Association of Real Art').
Vvedenskii, Dom Stroganovykh v XVI-XVII vekakh (Moscow: Sotsekgiz, 1962).
While the work of the other OBERIUty (Kharms, Vvedenskii, Oleinikov, and others) was confined to a far more profound Stalinist oblivion than ever threatened Zabolotskii's, their reputations, influence, and significance have grown enormously in the post-Stalin periods, and their popularity, both as partial models for the late twentieth-century Russian avant-garde and as creators of a brilliant aesthetic response to the onset of Stalinism itself, has guaranteed themmany editors, scholars, and readers in the last twenty years.