The ladies category saw the number one seeded team of Anita Kinder/Simone von Wietersheim face Teja Luck/ Karin Curschmann
Ozsahin M, Tsang RW, Poortmans P, Belkacemi Y, Bolla M, Oner Dincbas F, Landmann C, Castelain B, Buijsen J, Curschmann
J, Kadish SP, Kowalczyk A, Anacak Y, Hammer J, Nguyen TD, Studer G, Cooper R, Sengoz M, Scandolaro L, Zouhair A.
23) Tahiseks Euroopa keskaegsete naljahadade uurimisel on kindlasti Curschmann
Also includes selections from Rossini's Stabat Mater and pieces by Cherubini, Karl Friedrich Curschmann
, Pietro Alessandro Guglielmi, and others.
Unsurprisingly, the most important contributions in this volume come from Michael Curschmann
(to whom it is dedicated as a birthday offering) and Norbert H.
Representative of the former view, Michael Curschmann
disregards any connection with actual history, considering the text "Dichtung uber Heldendichtung" in which the division of Europe develops a construction immanent to the epic tradition, a "Rivalitat der Sagenkreise" and "klare Polaritat nordwestlicher und sudostlicher Sagenwelten" that first appears in the Nibelungenlied, and is to be considered derivative thereof.
During the examination of a respiratory specimen for cellular constituents, virologists may encounter unfamiliar cells, cell fragments, Curschmann
spirals, and artifacts, some of which simulate microorganisms.
Philippe Talavera is the Director of the film and Bernd Curschmann
the Director of Photography, with Wojtek Majewski at sound and Florian Schott as first assistant director.
L (6) Ctmliffe-Owen, Philip: L (6) Curioni, Alberico: L Cursch-Buhren, Franz Theodor: L Curschmann
, Karl Friedrich: L (2) Curwen, John Spencer: L (2) Cusins, Sir William: L Czerny, Carl: L (3), MS Czibulka, Alphons: MS Daase, Rudolph: L Dahms, Walter: L Dalberg, Johann Friedrich Hugo: L Dallapiccola, Luigi: MSS (2) Daly, Augustin: L Dalziel, Edward: L (3) Damais, Emile: MS Damrosch, Frank: D, L (2) Damrosch, Mrs.
Maria Gomo and ChristinaCheenye from Zimbabwe reached the semi finals where they beat Jana Rumpf and Carmen Curschmann
in two sets.
Making use of recent work on orality and textuality by Peter Koch, Wulf Oesterreicher, Walter Haug, Michael Curschmann
, and others, he attempts to show how historiographical accounts of actual events were modified by traditional oral narrative formulas to produce an interpretation illustrative of God's saving grace.
The women's teams consists of Anita Kinder / Simone von Wietersheim as well as Karin Curschmann
/ Julia Laggner.