Curschmann

Cursch·mann

(kūrsh'mahn),
Heinrich, German physician, 1846-1910. See: Curschmann spirals.
References in periodicals archive ?
Curschmann focuses on the oldest of a group of subsequent copies, where the text is not only illustrated, but accompanied with musical notation, thus transforming it into an agent for communal worship.
The ladies category saw the number one seeded team of Anita Kinder/Simone von Wietersheim face Teja Luck/ Karin Curschmann and prevail.
Periodic acid-schiff (PAS) staining best highlights the intrabronchial mucus plugs in their characteristic forms known as Curschmann spirals, which can occlude the airspaces totally and are heterogenous mixtures of mucins, plasma exudates, and inflammatory cells that are primarily eosinophils.
Ozsahin M, Tsang RW, Poortmans P, Belkacemi Y, Bolla M, Oner Dincbas F, Landmann C, Castelain B, Buijsen J, Curschmann J, Kadish SP, Kowalczyk A, Anacak Y, Hammer J, Nguyen TD, Studer G, Cooper R, Sengoz M, Scandolaro L, Zouhair A.
Stupp R, Mason WP, van den Bent MJ, Weller M, Fisher B, Taphoorn MJ, Belanger K, Brandes AA, Marosi C, Bogdahn U, Curschmann J, Janzer RC, Ludwin SK, Gorlia T, Allgeier A, Lacombe D, Cairncross JG, Eisenhauer E, Mirimanoff RO.
Also includes selections from Rossini's Stabat Mater and pieces by Cherubini, Karl Friedrich Curschmann, Pietro Alessandro Guglielmi, and others.
Representative of the former view, Michael Curschmann disregards any connection with actual history, considering the text "Dichtung uber Heldendichtung" in which the division of Europe develops a construction immanent to the epic tradition, a "Rivalitat der Sagenkreise" and "klare Polaritat nordwestlicher und sudostlicher Sagenwelten" that first appears in the Nibelungenlied, and is to be considered derivative thereof.
During the examination of a respiratory specimen for cellular constituents, virologists may encounter unfamiliar cells, cell fragments, Curschmann spirals, and artifacts, some of which simulate microorganisms.
Philippe Talavera is the Director of the film and Bernd Curschmann the Director of Photography, with Wojtek Majewski at sound and Florian Schott as first assistant director.
This book presents contemporary scholarship with an exciting, relatively new area of endeavor that has evolved through groundbreaking studies in the late 20th century such as those of Michael Curschmann, Horst Wenzel, and most recently, Kathryn Starkey, Heiko Wandhoff, among others.