Children are born with an innately bisexual disposition which is polymorphously
The new form of power defined by Foucault is polymorphously
productive: It circulates within the body politic to construct, define, destroy, and alter its own effects.
Morocco (1930)--Before the Production Code came along and swept the homos under the rug (and into the closet) filmmakers were allowed to be a little polymorphously
perverse when the mood struck.
Borrowing techniques from film and poetry, nursery rhymes and pornography, rock music and painting, Maso goes further than any writer working today to create a style that does justice to the polymorphously
perverse energy of eros.
And why not let love determine the forms of its realization, if art is polymorphously
Viktor und Viktoria was the swan-song of a polymorphously
perverse society on the verge of obliteration.
Embracing figures from Freudianism and sexology, such as the invert and the "intermediate" sex, this Bloomsburian faction finds in gender and sexual multiplicity the means for reforming bourgeois institutions--namely, by tracing both how Victorian marriage failed to account for malleable gender identities and how a renovated domestic sphere could preserve the benefits of marriage for modern, polymorphously
Beer, Bugs, Peter, Harvey, the Energizer, Playboy; magician's assistant; prolific copulator and shifter: The rabbit, for Blake, is perfectly polymorphously
The times may change, but gay buddy movies keep depicting the lies that bind, decade after decade: The 1993 miniseries Tales of the City, based on the Arm]stead Maupin novel, captured the polymorphously
perverse zeitgeist of '70s San Francisco, with the gloriously transsexual Anna Madrigal presiding over a rainbow family of mixed sexual orientations; 1990's Longtime Companion bore witness to the toll of AIDS on a Fire Island circle of friends in the '80s, while 1996's It's My Party paid similar tribute to a West Coast clan; and Terrence McNally's play and 1997 feature Love
Shuffling an international alphabet of critics, from Althusser to (Slavoj) Zizek, Lott is almost as polymorphously
perverse and miscegenist as minstrelsy itself.
If Clark, Hawkins, Weber, and Ackermann returned to high school angst, Koons embraced (albeit with absolute technical proficiency) the picture planes of visually articulate tweens--a gesture part Polyvore, part polymorphously
perverse child is channeled by the oedipal