turn, New
Formalism restricts courts from inquiring into the subjective
Xi called the campaign a "thorough inspection, overhaul and cleanup" of undesirable work styles and practices such as
formalism, bureaucratism, hedonism and extravagance.
The textual
formalism is verbalized as R : X [left and right arrow] Y.
To obtain such method we shall adapt Quantized State System, described in DEVS, for use in PLA
formalism. Originally QSS method was created for solving ODE for continuous systems simulation.
While the history of aesthetics includes many formalists, some of a variety much less modest than the sort with whom Zangwill keeps company, I want to use as a baseline definition of
formalism Zangwill's own.
In fact, at the beginning I hoped that the required notion of a computational state had already been made precise by the preexisting
formalisms for computation theory, e.g.
His metrical
formalism is applied here too, and it contributes to his argument that late Old English poetry is not a 'debased' variant of classical Old English poetry, but rather a slightly different form of verse.
In fact, museums are responsible for the rise of
formalism in philosophy of art (at least in the Western context); and
formalism is responsible for the origin of the modifier aesthetic that stresses the sensory aspects of experience, right from Alexander Baumgarten to Stolnitz through Lord Shaftesbuy, Francis Hutcheson, Immanuel Kant and Arthur Schopenhauer: If Kant believed that by one's aesthetic attitude (disinterested perception) one would be in a position to make "correct" aesthetic evaluation, Schopenhauer and Stolintz replaced this correct aesthetic evaluation by focusing on the conditions for aesthetic experience.
It is commonly argued that the manifest success of Lorentz covariance and the spacetime
formalism in Special Relativity (SR) is inconsistent with the anisotropy of the speed of light, and indeed the existence of absolute motion, that is, a detectable motion relative to an actual dynamical 3-space, despite the repeated experimental detection of such effects over, as we now understand, more than 120 years.
It is easier to teach or argue the merits of
formalism because the results literally call attention to themselves and, when early film theorists were justifying the artistic aspects of this new medium, they built their case upon the formalist approach of filmmakers such as Russia's Sergei Eisenstein's "Battleship Potemkin" (1925); its uniquely edited Odessa Steps sequence is one of the most famous scenes in cinema history.