However, those films that had
barometrically foretold the surrender, like Quai des brumes and Regle du jeu, had to be banned as humiliating witnesses." (50-51 in Robin Bates, "Audiences on the Verge of a Fascist Breakdown: Male Anxieties and Late 1930s French Film," Cinema Journal 36.3 [Spring 1997], 25-55.)