MORTAL REMAINS by Kathy Reichs (William Heinemann, pounds 18.99) IN Kathy Reichs' 13th Temperance Brennan novel, the forensic anthropologist is called to the scene of what appears to be an
autoerotic death. Nothing extraordinary in Tempe's world of dead bodies, except that the victim is a soldier who died in a helicopter crash 40 years before.
For example, in a paper on 'erotized repetitive hangings', Resnik writes: 'although they are bizarre, these deaths are not medical rarities or forensic curiosities'; (2) while another medical doctor and criminologist, Cordner, describes the conditions of autoerotic death as being of a 'bizarre nature'.
It is with this history of the naming and categorising of sexuality and sexual subjects in mind, that I turn to the topic of erotic asphyxiation and autoerotic death. Rather than interrogating what sexual practices leading to autoerotic death may say about the practitioner, or identifying factors that might psychologically motivate people to experiment with these 'extreme' death-risking practices, in what follows I will explore instead how looking at discourses produced about erotic asphyxiation and autoerotic death, sexual modalities that lie on the margins of comprehension and acceptability, might elucidate precisely how cultural norms of sexuality and gender more generally are established and inscribed.
Our contemporary cultural understanding of gender is key to the ways in which narratives of erotic asphyxiation and autoerotic death are deployed and interpreted.
While similarly marking a potential loss of control in the spectre of the autoerotic death, in contradistinction to the leaky slipperiness of the loose-tongued figure at the party (whose lack of control equates to effeminacy), the presence of male solidarity and brotherhood--the homosocial relationship built around the secret--lends something grandiose and hyper-masculine to the notion of a desire so strong that it cannot be controlled.
All celebrity cases of autoerotic death recorded in recent years have been of male decedents.
Secondly, her narrative is concluded by autoerotic death, while the male characters, who had been taking equally reckless physical risks in the water, live to surf another day: 'Eva was found hanging naked from the back of a bathroom door in Portland, Oregan.