A useful corollary to Elza Adamowicz's excellent Ceci n'est pas un tableau: les ecrits surrealistes sur l'art (L'Age d'Homme, 2004), Grant's study goes beyond a re-evaluation of what the surrealists themselves wrote about art, particularly Andre Breton, but also Robert Desnos, Louis Aragon, Max
Ernst, Paul Eluard, Tristan Tzara, and Salvador Dali, and focuses more on how Breton's contemporaries responded to surrealist theories about art and the works themselves, by such artists as Ernst, Joan Miro, Andre Masson, and Man Ray.