In the play, Curino explicitly praises Olivetti's success in achieving the utopic co-existence of capitalist productivity and workers' fair treatment and well-being, because it helps her underscore the influence that Camillo and Adriano's upbringing (by women) had in effecting such harmonious outcomes.
Curino furthers this theme of well-being in Adriano Olivetti: il sogno possibile.
As much as Curino's Olivetti plays consider seemingly progressive labor environments in contrast to those of the other industrial giants of the time, they ultimately provoke conversation around women and labor.
Curino, Laura, Roberto Tarasco, and Gabriele Vacis.
"A Presentation of Herself: Laura Curino's Passions in Everyday Life." Spunti e ricerche 25 (2010): 116-30.
"L 'Arcircolo Pepe." Settimo Torinese, Torino: Curino Private Collection, nd [c.
La ricerca storica." Settimo Torinese, Torino: Collezione Privata Curino, 1981.
(2) Curino created these theatrical pieces on her own and with collaboration from the director Gabriele Vacis, but through her research developed a friendship with Adriano Olivetti's daughter, Laura, and Laura's cousin, David Olivetti.
When Curino uses this expression in her work (Curino and Vacis, Camillo Olivetti 34), however, it seems to take a more favorable, less politicized tone.