Laban movement analysis


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Laban movement analysis

A method of movement analysis developed in 1930s by an Austro-Hungarian dancer, Rudolph Laban, for describing and interpreting the elements that comprise a particular movement. According to Laban, there are 3 primary factors in a moving body: the body itself, the space surrounding it and the intention of the movement. Laban analysis is of use to those who perform bodywork and movement therapy.
References in periodicals archive ?
This workbook compiles exercises inspired by the concepts and principles of movement theorist and artist Rudolf Laban (1879-1958), illustrating how Laban Movement Analysis can support actors, directors, movement, voice, and acting teachers and coaches in their creative processes.
With the current scenario of shadow play is slowly being imminent extinct, we would like to discuss relationship between Laban Movement Analysis (LMA) in Wayang Kulit puppets movement.
This term was coined by Rudolf von Laban who developed a system for analyzing human movement called Laban Movement Analysis.
I contend that masculinities are communicated through hip-hop dance and are a non-verbal language that I term Hip-Hop Kinesic Language or HHKL, which finds its verbiage from Rudolf Laban's Laban Movement Analysis.
Non-ballet courses required: Contemporary, improvisation and composition, choreography, anatomy/nutrition, Laban Movement Analysis, dance analysis and criticism, history, dance production
His work laid the foundations for Laban Movement Analysis, Labanotation (Kinetography Laban), other more specific developments in dance notation and the evolution of many varieties of Laban Movement Study.
This article explores the use of a therapeutic dance and movement intervention in TBI rehabilitation conducted by Certified Movement Analysts using Laban Movement Analysis.
Another possibility for the description of human behavior comes from Laban Movement Analysis in dance, as created by Rudolf Laban and some of his colleagues in Germany in the late 1920s, focusing on human movement as expression of feeling and desires.
Tortora describes the model she developed called Ways of Seeing, how it is used with the Authentic Movement program and Laban Movement Analysis (LMA) observation system, and how to implement it.
This passage draws in part on principles of Laban Movement Analysis, a methodology for viewing movement in terms of the effort it mobilizes and the ways in which it shapes and circulates in space.
Movement Fundamentals is divided into three semester-long classes--I: Practices of Alignment and Function introduces basic somatic practices such as ideokinesis, dynamic alignment, and functional anatomy; II: Practices of Range and Efficiency builds on the mind-body vocabulary and integrates the Bartenieff Fundamentals into dance technique; and III: Practices of Vocabulary and Intention delves into Laban Movement Analysis and performance.
The book, originally published in 1998 by Overseas Publishers Association, is divided into 12 chapters with 2 appendices on Laban Movement Analysis and Bartenieff Fundamentals.