anastasis

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anastasis

An obsolete term for restoration to health.
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The third example is the Harrowing of Hell, which has similar flaws, beginning with an unconvincing gesture to "histrionic conventions and incarnational aesthetics that Shakespeare inherited from the mystery plays like the Harrowing" (136); "like" is resemblance, not identity.
In fact, "The Servant Girl at Emmaus" prepares for one of the most fascinating of Levertov's ekphrastic poems, "Ikon: The Harrowing of Hell.
The egg is plain cream in color with red bands forming crosses on the outside; at the cross junctures are miniature portraits of Grand Duchesses Olga and Tatiana wearing Red Cross uniforms; inside is a gold miniature of the harrowing of hell, along with miniature portraits of saints Olga and Tatiana.
The appearances of the latter typically occur in the sixth age of humankind (from Christ's Harrowing of Hell to his Second Coming), during which the devil exhibits singularly contradictory characteristics: he is both bound in hell
That said, it is as usual necessary to modify the generalization: Gerhard Wolf points out, for instance, that the conventional representations of the Harrowing of Hell in the Passion plays and in medieval iconography do not give a full impression of the sense of doctrinal antinomy this tradition produced in thinkers, from Origen and Clement of Alexandria onwards, who reasoned that the account of Christ's rescue of those languishing in Hell (before his own Ascension) announced the doctrine of apokotastasis.
The harrowing of hell is a late accretion, shepherded by Commodian and the uncanonical gospels (pp.
Book One of The Faerie Queene is an allegory of Christ's triumph over Satan: Passion, Harrowing of Hell, Resurrection.
Dr Garde is interesting on the Harrowing of Hell, a theme that occurs often in the poetry, especially in Christ and Satan and Christ H, and, most interestingly in her account, The Descent into Hell to which she devotes a significant chapter of eighteen pages and rescues it from any adverse criticism that may still stick to it; one remembers such comments as T.
In the section that follows, I will revisit 1 Henry VI's passion sequence for the perceptible inclusion of incarnational theology unique to the harrowing of hell, an event of Christ's afterlife that directly pertains to the crucifixion's role in medieval salvation history.
In the Harrowing of Hell scenes of English mystery plays, the answer to that question was no joke.
Drawing on both approaches, I demonstrate that the corpus of early English interludes should include three additional texts: Dame Siriz, De Clerico et Puella, and Harrowing of Hell.
In places, particularly on songs he has written himself, like The Man Comes Around, there is an extraordinary sense of an apocalyptic Judaeo-Christian vision filtered through the myths of the Old West, Carmina Burana and the harrowing of hell recast for the 21st century to the strains of a Telecaster.