longus

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longus

 [long´gus] (L.)
long.

longus

/lon·gus/ (long´gus) [L.] long.

longus

(lŏng′gŭs) [L.]
An anatomical term indicating a long structure.

longus

[L.] long.
References in periodicals archive ?
Book Three contains many scenes which are both enchanting to read and pivotal in terms of the sexual and social advancement of Daphnis and Chloe.
although Most called this scene 'only apparently an exception' to his theory of the 'stranger's stratagem' because Philetas, having been told by Eros, already knows who Daphnis and Chloe are, (48) and therefore Daphnis and Chloe are not strangers to Philetas, despite the fact that they are meeting for the first time as indicated by the fact that Philetas has to introduce himself by name and explain who he is.
Elisha Willis and Iain Mackay in Daphnis and Chloe Picture, BILL COOPER
Using patterns and methods outlined above, let us consider now Chariton's Chaireas and Callirhoe, Heliodorus' Aithiopika and Longus' Daphnis and Chloe.
The piece opens with a smallscale version of Daybreak from Ravel's Daphnis and Chloe, whose Suite no.
Charles Munch raises the game of the Orchestre de Paris to quite unexpected levels in performances of the Bolero, Rapsodie Espagnole and the Second Suite from the ballet Daphnis and Chloe, making the famous Danse generale here sound exactly like the scion of Rimsky-Korsakov it is.
Although an ankle injury kept Wildor off the stage for several months last season, she has now danced leading roles in Ashton's Daphnis and Chloe, Rhapsody, and The Dream, as well as making her debut as Giselle.
It was on April 15, 1991, that more than 4,400 people heard Simon Rattle conduct the CBSO in two concerts comprising Stravinsky's Firebird and Ravel's Daphnis and Chloe.
Sarah Wildor, who has shown great promise in solo Ashton roles, was unable to make her debut in Daphnis and Chloe, Symphonic Variations, or La Chatte Metamorphosee en Femme ("The Cat Transformed into a Woman," a gala solo made for Merle Park in 1985).
More escapist Ravel came with the hedonistic Daphnis and Chloe, its second suite bringing out a huge orchestra for its evocation of Ancient Greece.
After he joined the company he eventually created roles in many ballets by Frederick Ashton, including Symphonic Variations, Cinderella, Daphnis and Chloe, and Ondine.