Camurati

Camurati

Mario, Italian physician, 1896-1948.
References in periodicals archive ?
Pulce e il soprannome di Margherita Camurati, la protagonista del romanzo.
This issue includes an article by Mireya Camurati, presented last semester as part of the fiftieth anniversary celebration of the Department of Hispanic Languages and Literatures, which has sponsored an alumni speaker series.
Camurati mocks the biased literature on the figure of Carlota Joaquina who, in addition to being mostly marginalized in history, is only portrayed in a very negative light.
Mireya Camurati has emphasized the fundamental importance of religious books and devotional literature in Tejeda's work, and the confessional writings of Saint Augustine and Saint Teresa of Avila seem to have played a fundamental role in the composition of the "Romance" (41-44).
Camurati, bu hastaligin alt ekstremitelerde simetrik osteitis ile seyreden genetik yapidaki bir bozuklugun neden oldugunu ilk kez ortaya koymustur (2).
2-5) It was initially described by Cockayne in 1920; Camurati was the first to suggest its hereditary nature in 1922.
O sucesso de Carlota Joaquina--Princesa do Brazil, dirigido em 1995 por Carla Camurati, marcou o inicio do chamado Cinema da Retomada, que, no entender de Pedro Butcher (2005, p.
Por que o filme de Carla Camurati causou tanta repulsa aos historiadores?
As atrizes Carla Camurati e Cristina Mutarelli penduravam os lencois, os recolhiam, deitavam sobre eles, completavam as informacoes pichadas sobre os panos brancos brincando animadamente e trazendo para a sequencia uma informalidade que se poderia julgar mais apropriada a um filme domestico.
Es lo que llevo a Gotschlich a decir que es el "simbolico representante del roto chileno" y a Mireya Camurati a indicar que era "el prototipo del roto chileno (Gotschlich, 1998: 11; Camurati, 1974: 98).
Therefore, Brazilian actress-turned-director Carla Camurati opts instead for an absurdist movie about a revival of "Vep" encompassing off-stage shenanigans supposedly nuttier than those on stage.
Reconstruye, por un lado, una historia de la recepcion critica del libro de 1941 (revisa las interpretaciones de Yurkievich, Camurati, Guillermo Sucre, etc.